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The Sacred Architecture of Byzantium: Art, Liturgy and Symbolism in Early Christian Churches (Library of Classical Studies)By Nicholas P
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The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N. Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building plans, will have considerable appeal to Byzantinists, lay and scholarly. Beyond categorizing and describing the churches themselves, which are richly illustrated with photographs, plans and diagrams, the author interprets the sacred liturgy that took place within these holy buildings, tracing the development of the worship in conjunction with architectural advances made up to the 15th century. Focusing on buildings located in twenty-two different locations, this sumptuous book is an essential guide to individual features such as the synthronon, templon and ambo and also to the wider significance of Byzantine art and architecture.
- Sales Rank: #1547377 in Books
- Published on: 2013-08-30
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x 1.80" w x 7.40" l, .0 pounds
- Binding: Hardcover
- 384 pages
Review
""This very handsomely illustrated book will be welcomed by many people interested in the art, architecture and history of Byzantium, treated here in a wide reach from Italy — with special attention to Rome — to the eastern part of the empire. Employing evocative and sometimes lyrical language, the author describes and gives rich context to ecclesiastical buildings and their decoration in ways that will pull readers into an historical past that has left such powerful, ghostly traces. The author employs a novel taxonomy for these buildings and their art that opens up the whole range of building types and functions across the empire and within its cultural orbit. And the liturgical life of these buildings, so often underplayed by scholars, is brought out fully so that readers will catch the scents, sounds and wonder of that world between the lines."" – Glenn Peers, Professor of Early Medieval and Byzantine Art, The University of Texas at Austin, author of Subtle Bodies: Representing Angels in Byzantium and Sacred Shock: Framing Visual Experience in Byzantium
'Architecture takes central stage in this intriguing take on hugely important questions around the interaction of art, liturgy and symbolism in the Byzantine church. The book brings together a mass of information and detail to formulate new approaches to the classification and understanding of Byzantine ecclesiastical architecture in a broad social and religious context.' - Liz James, Professor of the Art History, University of Sussex, author and editor of Light and Colour in Byzantine Art and A Companion to Byzantium
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